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TheFirearmsForum.com
FOUNDED: February 9, 2001 |
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#1 |
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V.I.P. Member
Join Date: Feb 2009
Posts: 337
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In Hollywood, all guns make rattling noises every time they are touched and sound like their actions are being cycled every time they are pointed at a target.
In Hollywood, all bullets have perfectly flat trajectories and will hit exactly where the laser sight is pointed regardless of the range. In Hollywood, interior drywalls can stop bullets. In Hollywood, McGarrett can one shot kill a guy on top of a five story tower while runing and shooting his snub-nosed .38 left handed. Smooth bore muskets can be fired like repeating rifles in terms of both speed and accuracy. And what's up with people jumping out of the way of phaser fire and taking cover behind cargo crates? Did we lose the ability to make a .50 cal that can shoot through block walls in the 25th century?
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#2 |
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V.I.P. Member
Join Date: Feb 2008
Location: Greeley, Colorado
Posts: 228
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In Hollywood most actors love staring in action movies, but when it comes to supporting the second amendment they are somewhat less enthusiastic, and those who do support second amendment rights have to fear being black listed as a result of their political views. Who needs Hollywood.
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#3 |
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V.I.P. Member
Join Date: Mar 2007
Location: Louisville, Kentucky
Posts: 345
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In Hollywood, when bullets strike cars they make huge sparks instead of bullet holes.
In Hollywood one can hear the sound of a hammer being cocked back on a Glock. In Hollywood the good guy (or gal) never has a round chambered until they encounter the bad guy (or gal). Then they work the pump on their shotgun, pull the hammer back on their revolver or pull back the non-existent hammer on their Glock to show the enemy they mean business. |
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